Our mission is to consistently care for youth—especially those who are incarcerated and court-involved—by creating space for them to thrive, using improv as their guide.

No strings attached. 

Our Impact

 

2629+ Youth

It all begins with an idea. Maybe you want to launch a business. Maybe you want to turn a hobby into something more. Or maybe you have a creative project to share with the world. Whatever it is, the way you tell your story online can make all the difference.

1602+ Classes

Our classes are based in the science of play, and utilize improv and theater games. While the act of making theater is therapeutic and our curriculum is trauma-informed, it does not seek to be drama therapy. Instead, we make space for young people to discover the joy in the freedom of their own creative agency.

40+ Performances

It all begins with an idea. Maybe you want to launch a business. Maybe you want to turn a hobby into something more. Or maybe you have a creative project to share with the world. Whatever it is, the way you tell your story online can make all the difference.

 

Our Programs

Confinement Arts:

Since 2013, Drama Club is the only organization in New York City that provides year-round theater programming consistently within facilities such as: Horizon, Crossroads, Rikers Island and other sites such as Belmont Academy, and non-secure detention. We believe everyone deserves a drama club and our classes seek to provide that safe space.

Community Program:

In 2017, we expanded outside areas of confinement, into communities most impacted by mass incarceration, via our program partner, The Door in both lower Manhattan and the South Bronx. Incarceration should not be a pre-requisite for continuing with Drama Club. Our presence within communities offers youth returning home a space to reconnect and continue their journey as artists.

Apprentice Program:

In 2018, we increased our services to include ongoing mentorship, professional development, and living-wage employment to youth reentering society post-incarceration; providing youth vital supports and a viable pathway away from recidivism. Apprentices are paid to assist in classes, represent Drama Club publicly (e.g., post performance Q & As) and attend weekly group mentorship sessions to discuss current issues in their lives and the goals they have for their futures.

Advocacy:

In 2020, with funding from the National Endowment for the Arts, Drama Club began to develop a play alongside playwright, Ren Dara Santiago and a cohort of formerly incarcerated individuals. This project spotlights the human cost of the uniquely American injustice of mass incarceration. Additional advocacy efforts include our DEIB Committee (made up of apprentices, staff, and board members) that discusses intersectionality and self-care, oversees our internal policies, and seeks ways to support the decarceration movement as well as the improvment of conditions within confinement.

How we got started.

It started as a rehearsal process of a play at Crossroads Juvenile Center, which was presented as a staged reading for staff, fellow residents and family members. The success of this project blossomed into a consistent year-round program.
We continue to bring improv classes to youth who are incarcerated and/or court- involved, and we’ve expanded to now also serve communities throughout New York.

Why Improv?

Theatre has a unique advantage as a social-emotional learning tool because it uses activities such as play and storytelling which naturally develop pro-social bonds, executive functioning, empathy, and creativity. From reducing social anxiety to building trust, the mental health benefits of improv are undeniable for everyone, let alone youth who are facing challenging times. Improv is highly inclusive. Anyone and everyone can participate regardless of background, literacy levels, or spoken language.

Improv improves us, which is why we create space for youth to discover it. For those who can’t come to us, we bring it to them. It’s fun and gives youth who feel silenced, confined, and controlled, an outlet to collaborate and express their imaginations freely, on their own terms. Most importanatly, it's fun!

Practicing improv promotes:

  • Healthy risk-taking and a freedom in the youth telling the stories that they want to tell in the ways that they want to tell them.
  • Focus and development of impulse control in a fun and safe environment as youth play off of each other to create something together.
  • Leadership development in collaborative problem solving, team work, flexibility, resilience, communication and group decision making.

Improv is a positive, strengths-based approach. Where school environments are often using negative consequences as the approach, one of improv’s core rules is to always say “Yes, and…”.

We’ve had youth tell us that they incorporate this into their life beyond improv because it opens us up, and when we open up we can transform spaces, we can learn, and we can grow.

Our Partners

Drama Club is recognized by New York City’s City Council, Administration of Children Services, Department of Correction, Department of Probation, the Department of Youth and Community Development, and New York City’s Department of Education.

We are proud organizational partners with Carnegie Hall, NeON Arts, The Door, The Wooster Group, Rattlestick Theatre, and Youth Inc.

Emerging program partnerships include Getting Out Staying Out, Hudson Link, and Greenwich House.

Recently Drama Club graduated from the GRIT capacity building series through the Robin Hood Foundation.

Where is Drama Club?

Drama Club currently works with over 600 students between the ages of 12 to 24, developing theatre at five sites, across four New York boroughs. Here’s where to find us.

The Drama Club team is a family.

We’re a mix of former theater kids, formerly incarcerated kids, activists, teachers, and artists. Many of our apprentices were once students of Drama Club and many of our teaching artists were once apprentices.

Ashley Hart Adams
Program Manager,
Confinement Arts

Originally from South Carolina, Ashley is a self-identified G.R.I.T.S. (girl raised in the south)! Prior to moving to New York City, she studied Musical Theater at Anderson University and went on to receive her M.F.A. in Acting from Louisiana State University. Ashley brings her empathy, compassion, and love of theater to her work as an actor, educator, and administrator. She is a lover of classical text and has had the pleasure of working with regional theaters throughout the country. Favorite roles of hers include Celemine in School for Lies, Arsinoe in The Misanthrope, Portia in Julius Caesar, and Viola in Twelfth Night. Ashley's work motto is "Advocacy is Access." Her mission is to provide underserved and underrepresented demographics with access to the power of theater arts.

Jeffrey J. Clemente
Program Manager,
Apprentice Program

Jeffrey J. Clemente, is a high energy Rehabilitation Through the Arts alumni. He is a passionate visual artist and poet who was born and raised in Brooklyn, New York. He has over a decade of facilitating workshops geared toward personal growth and alternatives to violence. Jeffrey has a great passion for being an agent of change in his community. He uses art and poetry along with his personal experience and knowledge of the criminal justice system to help break barriers and push the celling higher for the progression and future of our next generation. Mr. Clemente learned to combine his poetic and artistic skills to bring about awareness, inspiration, and change.

Erin Margaret Pattigrew
Program Manager,
Apprentice Program

Erin Margaret Pettigrew is a first generation Belizean-American artist, actor, and mover from Los Angeles, California. She holds a BFA and MFA in Acting from UC Santa-Barbara and The New School University. Based in NYC, she has had the pleasure of developing her artist’s journey alongside creators, collaborators, and facilitators at: Manhattan Theater Club, New York Theater Workshop, Joe’s Pub at The Public, La Mama Experimental Theater, JAG Productions, CUNY’s CASA Program, Brooklyn College, and others. Her passion for arts in humanities has inspired and encouraged her to pursue arts in education. It is through story and storytelling that the development of the future, the mind, the body, and the soul, has a path. Together with her communities, collaborators, and tribe, she dedicates her art and craft to the hope, healing, and heralding of love, light, and endless dreams.

Bryn Magnus
Operations &
Finance Manager

Bryn Magnus is a writer and arts administrator. He is an ensemble member emeritus of Curious Theater Branch in Chicago and his plays have been produced by Curious Theater Branch, Steppenwolf Theater (Chicago), Museum of Contemporary Art (Chicago), Unanimous Cohort Theater (London), Performers Under Strress (San Francisco), the Washington Ensemble Theater (Seattle), Virus Fest (Berlin, Dessau, Halle, Leipzig Germany). He was the Managing Director and main writing instructor at Free Street Theater in Chicago where he helped develop plays with ensembles of teen writers, performers and producers. Those plays toured multiple times to Germany, Norway, and Thailand. He has also emulated the career path of many writers by stumbling around the country working as a tree-planter, an apple picker, ice-hauler, and private eye.

 

Dunasha Payne
Program Manager,
Community Program

Dunasha studied at Marymount Manhattan College and she is an alumni with Rehabilitation through the Arts which led her to the doors of Drama Club. She has facilitated different workshops and theatre motivated groups. She demonstrates this through teaching to the youth and mentoring. Dunasha has such a passion for this work because of the experience, insight and clarity within the justice system. She is able to relate deeply to the population that Drama Club serves in multiple communities. Dunasha helps break the barriers and move towards higher learning and skill set for the future of our young generation.

David Tomczak
Fundraising &
Communications Manager

David brings both his passion for performing arts and nonprofit work, as well as an endless curiosity, to the role of Fundraising & Communications Manager. Previous experience includes consulting work in communications/research at Funders for LGBTQ Issues, and also the Elton John AIDS Foundation. David served three years as Board Secretary of I’m From Driftwood | The LGBTQ Story Archive, where he led and expanded their largest fundraiser. David graduated from the Chicago College of Performing Arts at Roosevelt University with a BFA in Music Theatre, and sharpened his skills at the Wingo School of Fundraising.

Josie Whittlesey
Founder,
Executive Director

Josie is the founder and Executive Director of Drama Club. Previous work includes teaching for Rehabilitation Through the Arts at Sing Sing and Woodbourne Correctional Facilities, where she taught courses on acting, public speaking and comedy. Before founding Drama Club, Josie developed a drop-in acting class for GEMS, serving girls and young women who have experienced commercial sexual exploitation and domestic trafficking. Over the last ten years she has taught Acting, Improvisation, and Text Analysis at Fordham University, New York University, Montclair State University, and Larry Singer Studios. She holds an MFA from NYU’s Graduate Acting program.

 

Teaching Artists

 

Terrell Bartee
Teaching Artist

Terrell was born and raised in south Jamaica, Queens. He’s found his footing in Drama Club as a Teaching Artist. His strong desire to guide the youth in a positive manner drives him to go above and beyond. Despite his past he’s made strides to improve himself and the community created at Drama club.

Tiffany “Tiny” Cruz
Teaching Artist

Tiffany was born and raised in Jackson Heights, Queens. Her journey with Drama Club started as a student and she is proud to now call herself a Teaching Artist. She is led by her passion to support, mentor and relate with all youth she comes in contact with. She loves music and theater. Tiffany is a determined and outspoken advocate for youth who have been caught in the criminal legal system. She believes every person deserves to be heard, no matter their circumstances.

Abby Pierce
Teaching Artist

Abby Pierce has been a teaching artist for 13 years and helped begin the EPIC program in Chicago which brings theater to women who are incarcerated in Cook County Jail. She is also a writer, actor, and director for film, TV, and theater. The Jeff-nominated theater production she directed of “Hopelessly Devoted” had a workshop series and special performance in Cook County Jail. Abby was a part of devising and publishing “Drawing Our Sky”, a children’s book created by incarcerated mothers, which is provided as a free resource for parents to use with their children during visitation hours.

Cesar J. Rosado
Teaching Artist

Cesar was born in the Bronx, NYC. Cesar is a founding member and Co- Artistic director of the Middle Voice Theater Company, the apprentice company to Rattlestick Playwrights Theater. Cesar is an alumnus of the Atlantic Theater Company Conservatory and received his BFA at The Mason Gross School of the Arts, at Rutgers University. He is in the Broadway company of the upcoming play, Plaza Suite, featuring Sarah Jessica Parker and Matthew Broderick.

 

Terralon Walker
Teaching Artist

Terralon was born and raised in Houston, TX. After studying at the High School for the Performing and Visual Arts, she continued her training at Rutgers Mason Gross School of the Arts graduating with a BFA in Acting. She continues her work in New York City, where she has worked on an Emmy Nominated web series and been featured in a major brand commercial.

Isaiah Bapp
Assistant Teaching Artist

Isaiah was born and raised in Brooklyn, New York. He is a talented and a bright young man who loves theater. He has been in prouctions back when he was in high school. He loves to do improv because it has changed his life in a huge way. He thanks Drama Club for giving him the opportunity to shine like the star he strives to be.

Molina “Wolf” Cortes
Assistant Teaching Artist

Rahmell Peebles is an actor, writer, and filmmaker. He received a BA in philosophy from Morehouse College and also attended the British American Drama Academy in Oxford, UK. In 2015 he won the NBC Star Project at the American Black Film Festival. His solo show “Rahmell’s Inferno” which highlights the idiosyncrasies of the “school to prison pipeline” won the 2017 Best Poetry Show at the United Solo Theater festival. He was a Teaching Artis for Changing Perceptions Theater Company for five years where he served multiple schools and programs, “The Eagle Academy”, and “Children of Promise for Children with Incarcerated Parents” to name a few. He was also the head Theater Instructor at the Schomburg Center’s Junior Scholars Program. Rahmell is committed to the Arts and has a passion for the liberation of those affected by the criminal justice system.

Hasson “Dizzy” Harris
Assistant Teaching Artist

Hasson Harris, better known to the community as ‘Dizzy Kapone’ is Bad To The Bone. Plus when he is in the Zone, “You Should Already Know.” Raised in Parkchester,  Bronx, NY , he was introduced to Drama Club through his extensive journey in the incarceration system. While at Horizon Juvenile Detention Center, he began as a participant in the classes. He enjoyed this experience so much he kept as close contact as possible with a few Teaching Artists when he was released. Now Hasson has been with Drama Club for 5 years. With his creative ability to make improv his own & his artistic career/background, he is an amazing addition to Drama Club’s Roster.

Apprentices

 

Gia
Apprentice

Kaysha grew up in south Jamaica, Queens. She aspires to be a child psychologist. Most of her childhood has been spent involved in various activities such as dance, cheer, track, theatre, and so much more. She knows firsthand the importance of creativity and plans to spread her knowledge to others around her. She is very determined and tends to accomplish whatever is given to her. She is a great addition to our community.

Haley
Apprentice

Kaysha grew up in south Jamaica, Queens. She aspires to be a child psychologist. Most of her childhood has been spent involved in various activities such as dance, cheer, track, theatre, and so much more. She knows firsthand the importance of creativity and plans to spread her knowledge to others around her. She is very determined and tends to accomplish whatever is given to her. She is a great addition to our community.

Kaysha
Apprentice

Kaysha grew up in south Jamaica, Queens. She aspires to be a child psychologist. Most of her childhood has been spent involved in various activities such as dance, cheer, track, theatre, and so much more. She knows firsthand the importance of creativity and plans to spread her knowledge to others around her. She is very determined and tends to accomplish whatever is given to her. She is a great addition to our community.

Iyanna
Apprentice

Kaysha grew up in south Jamaica, Queens. She aspires to be a child psychologist. Most of her childhood has been spent involved in various activities such as dance, cheer, track, theatre, and so much more. She knows firsthand the importance of creativity and plans to spread her knowledge to others around her. She is very determined and tends to accomplish whatever is given to her. She is a great addition to our community.

 

Moesha
Apprentice

Kaysha grew up in south Jamaica, Queens. She aspires to be a child psychologist. Most of her childhood has been spent involved in various activities such as dance, cheer, track, theatre, and so much more. She knows firsthand the importance of creativity and plans to spread her knowledge to others around her. She is very determined and tends to accomplish whatever is given to her. She is a great addition to our community.

Perla
Apprentice

Perla is a high school senior at Inwood Early College who loves to have fun. She is an artist of many forms including, but not limited to, sketching, painting, dance, and theatre. Perla brings a smile to everyone’s face and is the energy needed to brighten up any room. She enjoys new experiences with a strong willingness to learn and adapt. She’s a natural queen who loves embracing her curls (when they choose to cooperate haha) and encourages everyone to embrace every natural aspect about them whether they 100% love them or not. Starting her hair journey in early 2018 was the first step she took into exercising long term goals. Raised in the South Bronx as a Dominican by the strongest woman she’s ever met, Perla is proud of who she is today and excited for the future that’s yet to come. Perla is a bright, confident young woman with a lot of self love and wants nothing more but to share that love with the people around her.

Quanelle
Apprentice

Hi, my name is Quanelle & I’m here today to tell you just a little bit about myself. I’m 21 years of age, been in trouble with the system when I was younger, around 15, and kept getting in trouble till I was 19 years old. It took me 5 years to finally get it together & realize what really matters the most in life: You being on the block with ya homies, or making sure your family gets to see your face at night. That’s why I decided to change & meet some great people along the way that for me plugged into Drama Club. Ever since I became a part of the Drama Club community I been doing much better in life than I was. I feel the Drama Club organization really listens to you & hears your side of the story - because we all got one.

Rose
Apprentice

My name is Rose but you can call me Rosaly. I’m a young woman who wants nothing but positivity for everyone and I wish the best for everyone. A woman who loves to draw, a woman who likes to act if her shyness didn’t get the best of her, a woman who writes stories, a woman who loves to sing and dance, a woman who loves to listen and understand where others come from. I like to make others happy.

 

Board of Directors

 

Stephanie Adjei
Director

Stephanie grew up in Crown Heights, Brooklyn, the daughter of African immigrants. She has been working with at-risk and juvenile justice-involved youth for more than 15 years. She spent much of her childhood involved in the arts, including theater and dance, and knows first hand the importance of introducing young people to theater arts. Stephanie witnesses how motivated and encouraged the youth in the juvenile justice system are when they display their hidden talents. She sees their self-esteem rise to the roof. It takes so much courage to stand in front of their peers at that age and in that environment.

Eliza Baldi
Chair, Director

Eliza Baldi is theater artist and teacher, with a background in social justice initiatives and fund development. She lives in Brooklyn with her husband, actor David Costabile, and their two children. As an artist, she has performed and directed Off-Broadway and in regional theaters, in international festivals, and in more experimental spaces like the Brooklyn Museum and the Farley Post Office. Eliza has taught at Smith College, Ramapo College, Bard College, N.Y.U. Graduate Acting, and was on the faculty of Fordham University’s Lincoln Center campus for 7 years. Her work with arts outreach includes 12 years with the 52nd Street Project, where she and her husband were honored to receive the 2019 gala award for service, as well as work with the Greylock Theater Project in Massachusetts, NYC’s Rebel Verses Youth Arts Festival, the Pennsylvania Clinton County Women’s Shelter, and Women for Refugee Women in the U.K., among others. Eliza first began learning the basics of fund development right after college, as an intern in the Development office of the Eugene O’Neill Theater Center. She continued her work in this area with jobs as a Development assistant at the New York Stem Cell Foundation and a Development Associate at the National Coalition Against Censorship, as well as serving for 8 years on the fund development committee for her graduate alumni association at N.Y.U. Through these experiences, Eliza worked with different teams to raise money and awareness, nurture preexisting relationships and grow unique donors, and frequently held a creative leadership role in event-planning. She is now thrilled to be on the Board of Drama Club, where she feels her varied career experiences can truly meet, and where she can continue to both serve and learn.

Christine Bella
Director

Christine is an attorney with The Legal Aid Society’s Juvenile Rights Practice Special Litigation and Law Reform Unit where she represents young people involved in the juvenile justice and child welfare systems in federal and state individual and class civil rights litigation. Christine has worked for The Legal Aid Society in all three of its practice areas, Civil, Juvenile and Criminal. In 2004, she was awarded The Legal Aid Society’s Charles Schinitsky Award for outstanding service on behalf of children. She is also Vice Chairperson of Preparing Leaders of Tomorrow, Inc. a mentoring program for youth involved in the juvenile justice system. Christine received her Bachelor of Arts from Purdue University and her Juris Doctor, cum laude, from St. John’s University School of Law.

Yobo Bello-Asemota
Treasurer, Director

Yobo is a financial services professional with several years of experience across various teams and functions including Sales and Trading, Equity Research, Investment Banking, and most recently Private Equity. She currently works as an associate at EQT Partners, making private equity investments for EQT’s global, value-add infrastructure strategy with ~$23Bn in assets under management. Outside of work, Yobo has experience advising the leadership and boards of nonprofits on financial matters, having provided Covid-19 related financial scenario planning and analysis to Kings County Tennis League, a nonprofit focused on youth development and community building in underserved neighborhoods. She is also skilled in fundraising for nonprofits and has served for several years as Class Captain for the Columbia College Fund at Columbia University. In this role, she helps manage the fundraising efforts of a network of over 600 alumni volunteers. In recognition of her leadership and loyal support to the College, she has been inducted into several leadership giving societies within the alumni community. Yobo is an opera lover and a young associate at the Metropolitan Opera. She is also both passionate about criminal justice reform and a firm believer in the healing power of art, and as such is thankful for the opportunity to support Drama Club’s mission. She graduated with honors from Columbia University, receiving her double B.A. in Economics-Philosophy and Hispanic Studies.

 

David Blasher
Director

David is a leader across legal and artistic settings in corporate and nonprofit organizations, where he inspires people to perform at their best and guides teams to translate mission-driven strategy into tactical application. Most recently at NBCUniversal, David was the Director of Global Legal Operations and Innovation, where he managed and developed initiatives that improved connectivity and effectiveness across the legal departments of all NBCUniversal business units. Prior to NBCU, David worked in legal technology and as a litigation associate at Davis Wright Tremaine, including pro bono work for the ACLU and the Outside In homeless shelter. He has also performed operational and artistic consulting roles for the All Stars Project, The Map Fund, Writopia Lab's Worldwide Plays Festival, and the Jim Henson Carriage House. For fun, he plays the cello with a rock band (Sky-Pony), and he relishes any chance to use musical & theatrical metaphors to illustrate an idea. B.A., Yale University; J.D., University of Oregon School of Law.

Marlin Cohen
Director

Marlin is a finance and operations professional, currently a Vice President at PJT Partners where she helps advise businesses on M&A and other strategic opportunities. Marlin started her career as an investment banker at Morgan Stanley before joining a tech-focused hedge fund and then moving over to the operating side where she worked across functions to help startups scale. Marlin graduated with an M.B.A. from Harvard Business School. She received her B.A. in Economics, magna cum laude and Phi Beta Kappa, from Yale University. She is passionate about connecting underserved youth involved in the criminal legal system with Drama Club's theater programming and positive mentorship.

Fiz Olajide
Secretary, Director

Fisayo, also known as Fiz is an accomplished film executive, with over 14 years of experience in discovering and developing powerful stories for global brands such as Google and Uber. In her role as Managing Director of cross-Atlantic production company, Lonelyleap, Fiz has played a critical role in spearheading the growth and expansion of their New York operations. Fiz has executive produced multi award-winning documentary films, recognized by industry luminaries such as SXSW, New York Film Festival, Campaign / PR Week and more. Fiz holds a BSc in Psychology from Kingston University in the UK. Fiz is a founding member of Chief, a private network built to drive more women into positions of power and keep them there. A unique perspective as a Black female filmmaker born in the UK, Nigerian heritage and currently residing in Brooklyn, has given Fiz a natural affinity to amplify and uplift undiscovered voices and experiences.

Maggie Siff
Director

Maggie Siff is an actress well known to audiences for her roles in Showtime‘s Billions playing ‘Wendy Rhoades’ opposite Damian Lewis and Paul Giamatti and her role as ‘Tara Knowles’ on the hit FX series Sons of Anarchy for which she received two Critics Choice Award nominations for ‘Best Supporting Actress in a Drama Series’. She also starred in the first season of Mad Men playing Don Draper's mistress, ‘Rachel Menken’ for which she received a Screen Actors Guild Award Nomination for ‘Outstanding Cast in a Television Series Drama’. Maggie graduated with an M.F.A. from NYU‘s Tisch School and a B.A. from Bryn Mawr College. As a native New Yorker, she is passionate about bringing awareness to the youth that are caught in the juvenile and criminal justice systems in NYC.

 

An Important Note:

 

Diversity, equity, inclusion, and belonging (DEIB) is not only at the heart of Drama Club’s mission, it’s also the driving force behind the culture we foster within. Living up to these values is what makes our organization a better place.

We are committed to ensuring that everyone in the Drama Club family has the tools and opportunities to live their fullest potential.